妈妈咪呀

作为经典的音乐剧，流行音乐完美地串接了剧情。

从一开始的舒缓，逐渐加快节奏，在婚礼前夜音乐节奏达到了高潮，仿佛影片到此所有的铺垫都是为了这个party的高潮，充分展示了美式的大趴文化。

一个女孩不能确认自己的生父，这事不能怪谁；布鲁斯南被误解为一个负心汉，这事也不好怪谁。

就算他第二个月回到岛上，他之前的女人也在毫无保护措施的情况下跟了别人。

这从爱情中进出的时间之快，令我辈改革开放刚三十年国家的人民确实佩服其文化之豪放。

好在当事人自知换男人太快，亦不怪别人，尴尬一笑抿之。

当然，小小的忧伤插曲并不会影响全片的欢快气氛。

仅仅几分钟，爱情的主角就已另换他人。

资本主义甚至毫不羞涩地以美的方式展示其同性文化。

于是慨叹：此片不仅仅使男女观影产生激动的情绪啊！

可谓放浪之极。

音乐使人心浪，女人听了变得很浪，显示出其整个文化都很浪，令人佩服！

08年的发达国家已经如此之浪，而我国人民也势必越来越开放，这是文化的影响，还是文化的解放？

实话说，好好欣赏流行音乐、享受欢愉气氛就好，选择本片一定错不了。

管他们浪不浪。

<妈妈咪呀>作为一部电影,显然还有很多需要改进的地方,作为一部音乐片,也没有很好的表现出音乐的魅力,其中有些是因为演员本身的歌唱水平有限,有些是因为在外景,尤其是风景如画的地方突兀的放声高歌,总觉得没有<红磨坊><芝加哥>那般自然的舞台感.但是电影全篇轻松温馨,歌曲怀旧动听,加上个性鲜明的人物.做为一家人一起度过一段美好的时光,这部影片很好的完成了它的任务.故事发生在一个风景如画的希腊小岛,年轻的女儿为了在婚礼当天有自己从未谋面的父亲出席,背着母亲偷看了她年轻时的日记,私自邀请了三个最有可能的人来到自己家,在一番热闹之后,母亲终于找到了自己的真爱,女儿也找到了自己人生的方向.合家欢乐.歌舞片的剧情向来不是其所传达的重点,尤其是<妈妈咪呀>这类轻松的歌舞剧,没有艰涩的政治话题,没有凄凉的历史背景,故事就像爱琴海上清新的海风一样单纯怡人,实际上看完影片,我们记住的也不会是他们之间都发生了什么,只记得他们唱唱跳跳的,开开心心的从此幸福的生活在一起了,而实际上,留下这样的印象就对了.要花大笔墨来说的应该是本篇的人物塑造,尤其以三个人物最为显眼,第一当然是老戏骨梅丽尔斯特里普饰演的母亲,然后就是风流倜傥的007皮尔斯布鲁斯南饰演的准父亲,此外还有一个人,就是阿曼达饰演的小女儿,其自然真切的表演完全没有被梅丽尔所掩盖,相反,她表现的相当突出.先说说梅丽尔吧,出演完这部影片之后,美国媒体评价她说”还有什么是梅丽尔做不到的?一颗冉冉升起的歌剧明星就此诞生了”由此可见对她表演的评价是多么的高.的确,梅丽尔的表演早已经达到了炉火纯青的地步,从影片开始她第一次出场,对三个疯丫头的一句”stop growing!”那眼神和手势,那种母亲对于孩子的疼爱自然的流露出来.接着听到女孩们的回话有些怪之后,她又回头看了一眼,那眼神仿佛在说”小家伙,又在搞什么鬼呢吧…算了,由他们去吧”这种瞬间完成符合人物性格又符合情节需要的微相表演,正是梅丽尔最厉害的演技所在.接下来梅丽尔的角色开始过分活跃起来,遇见三个年轻时的情人后,她有些手足无措,看她在房顶为了三个男人连蹬带踹的样子实在有点让人接受不了,后来又跟皮尔斯隔着墙,像少男少女一般的互诉心事,也着实让人寒了一把.这之后角色回归正规,观众逐渐接受这个活泼的老女孩.婚礼前唱给皮尔斯的一首歌让人很窝心,虽然对于我们,接受这样一种音乐抒情的形式有些勉强,但梅丽尔充盈的感情让这一切看起来如此真切.皮尔斯布鲁斯南的形象还是那个007的样子,怎么看都是007,虽然身材略微走样,可他举手投足还有那深邃的眼神都让他脱离不开观众心目当中那个优雅幽默,风流倜傥的邦德形象,这让他在塑造角色时很难和其他人保持在同一时空,有的时候甚至觉得梅丽尔是新一任的邦女郎…皮尔斯的演唱功力也和大家不在一个水平上,和梅丽尔对唱的部分缺乏火花,相比梅丽尔自然充盈的感情,他的表演看起来要油滑和形式化的多,这个角色的塑造算是有些不足吧.除了外型之外.皮尔斯还是很帅的…很多人说全篇就靠梅丽尔一个人顶着,但我觉得女儿索菲的角色塑造的相当成功,阿曼达的表演绝对不在梅丽尔之下,那场母亲帮女儿穿婚纱的戏里,母女之间感情相当充沛,两个人的表演高度和谐,把这场母女关系的重要转折点诠释的堪称完美.索菲是全篇第一个唱歌的,也是所有人中唱的最好的.她在海边见到久违的好友之后,和她们一起分享自己寻找自己父亲的喜悦心情,一首把一个完整的有血有肉的角色充分的展现出来,第一句中她唱到”ah-ah”时那一个上挑的眼神一下子把角色的形象和周围两个人拉开了距离,她看起来聪明可爱多了.接着她时而唱时而读日记,最后在阳台上表达了对父亲的期待,整个过程一气呵成,可以说是她这一番成功的表演,把歌舞元素带进了电影.让之后的歌舞表演显得自然和容易接受的多.除了人物表演,可能最吸引人的就是那个风景如画的小岛了,海和天都蓝的如此不真实,这也是电影让人身心舒畅的很重要的一个原因吧

当我们看到一群小年轻高歌舞蹈的时候，心里会觉得赏心悦目，充满活力，然而当庞大的歌舞群体以及里面的主角换成了一群大概年龄都是4050的大叔大妈的时候，你又会有什么感觉呢？

——怪？

槑？

雷？

原本我也以为是这样，可最后当真的遇见了这群老当益壮的家伙们，我却只能说“H-I-G-H”!!!从那首“mamamia”开始酝酿着情绪，再到“dancing queen”开始跟着三个OLD WOMAN 摆动身躯，直到最后，在单身派对那一段，我已经完全疯了，跟着他们高歌狂舞。

尽管这三个女人都是一把年纪了，可是他们的舞步依然焕发着光彩，身姿轻健，每个举手投足都让人感受到活力与魅力，那一种活跃的力量让每个人都难以招架！！

相比三个woman，OLD MAN部分就没有这这么HIGH，可是，老男人的魅力同样是不可挡滴！！！

首先是我的COLIN！！

无论是绅士的达西，还是BJ的马克·达西，没有哪一个会让我想到妈妈咪呀里的harry！

，说实在话，当我看到他弹着吉他，听到他唱“our last summer”时，我已经沦陷到不知哪里去了！！

当然在片尾看到他穿成那个样子，更是让我觉得搞到不行，在妈妈咪呀里的colin放开了自己，那种快乐的感觉，真的是让人无法忘记！

另外就是布鲁斯南，印象里一直他都等于007（虽然我不太看007），也不是没有见过他后来演邋遢的样子，可是在妈妈咪呀里，他的确让我惊艳了一下，特别是他最后向donna求婚，转身时那一眨眼，真的是把我电到了，那时候才真的觉得布鲁斯南真的是好帅啊···顺便说一下他的歌声，在里面，他大概是三个人里唱得最多的，不过还是觉得没有那两位唱的好听啊，不过我很喜欢他求婚唱的那首，感觉很好！！

另一个Old Man（忘了名字了），他给我的感觉很好，开头开船的时候，也是很帅的说，喜欢最后他和其中一个Old woman唱歌的感觉，也让人觉得很HIGH啊！

妈妈咪呀里有着很好的主角，那些跑龙套的也是很强啊，每次群舞的时候个个很high和投入，其中让我印象深刻就是那个绿衣服眼睛超级圆的阿姐，那个表情太有才了！

虽然妈妈咪呀的歌舞很赞，但不得不说他的剧情也棒，特别是最后黑夜里，三个爸爸去送苏菲，夜里波光粼粼，感觉很美，那首歌也很好听···感觉很温馨···

From West Side to Broadway, from musical stage to movie screen, Mamma Mia has been sweeping spectators off its feet all over the world. Since the first performance in 1999, it has been played in 240 different cities, spoken with 14 different languages, including Chinese this year. With its popular songs, entertaining romance, extraordinary three fathers with one daughter relationship, and all-star cast, we enjoy Mamma Mia the movie and love it even more.When Sophie sings I HAVE A DREAM, my heart has already gone to the enchanting Aegean, the blue sea and the blue sky, the white wedding and the white Greece. It is where Aphrodite was born, the love and beauty. It is also where our story begins. Two decades ago, Sophie's mother namely Donna fell in love with a Sam guy, whom had already been engaged to someone else. He broke her heart by leaving to breaking the engagement. However Donna did not know the truth, so she was involved with the second guy Bill. Then she fell for some head banger Harry the third one. That explains why all of them could be Sophie's father, and that's why Sophie invited all of them to her wedding. She didn't know which one is, because Donna never talk about anything about her dad. She is determined to find out the truth, but she had to keep that secret from her mother. She sings HONEY HONEY joyfully, with expectations of seeing her father and recognizing him at first sight. At the same time, Donna's BFFs also arrived. Auntie Rosie and Tanya are as dynamitic as the twenties, one is a famous cook writer and the latter is a two-times divorced material lady. Donna told them the hard times of making ends meet and breeding a daughter with her own by singing MONEY MONEY. When everything seems to be going under control, the three fathers came all together. Sophie had to keep them away without her mother's notice, but Donna still found out. MAMMA MIA! Donna couldn't believe it at all. Three lovers, three unforgetable romances just showed up out of blue from no where. Three father are delighted to see Donna again after twenty years, but Donna however thinks it must be some joke by God because all these years she has heard nothing from any of them. Why they all appear just when Sophie is getting married? Donna doesn't want to see them of course, expecially Sam who dumped her at first place and has always been her love of life. She is in sorrow, and go to her friends for comfort. Rosie and Tanya will always be there for her. They remind Donna of the old great times when she is the DANCING QUEEN always seventeen. While at the same time, three fathers seem to be blue too because they thought it was Donna who wanted them to be here. However it's not, so they just decide to leave. Then Sophie catch up with them and beg them to stay for her own sake although she still doesn't tell the reason. Three fathers and one daughter sing OUR LAST SUMMER, and share some old happy times with Donna.Sophie still couln't tell which one is her father, because they all seem to be possible for one reason or another. And with their time spending together, they are all growing fond of Sophie and all three think their-self could be the father and should walk her by the aile. Sophie couldn't keep silent any more. She asks Sky for help, her groom-to-be. However Sky is in anger because he thinks they share everything. They doubt about their wedding-to-be and are not sure if it is what they really want. Sophie is also mad at Donna. She blames it on her for carrying baby without man, for not telling her who's her father and for not supporting her getting married at all. But there is nothing in the world could tear mother and daughter apart. Sophie asks Donna for forgiveness and suggest that she should be the one who give her away. SLIPPING THROUGH MY FINERS, Donna is watching her growing-up precious Sophie in white wedding dress before the mirror. They are ready, both of them. Although Sophie still doesn't know who her father is, she doesn't care any more. She has her mother, that's all her need. The wedding is as planed as perfect. Just before, Sam came for confession to Donna that he is still in love with her and wants to tell her his real feelings desperately. But Donna seems to care less. She tells Sam THE WINNER TAKES IT ALL, what they had is history and what's past leaves in the past. She doesn't want to talk although she still has feelings for him.The wedding bell rings. Everybody is their. Just before the priest pronouce husband and wife, Donna shares the secret that she was premaritally pregnant and Sam, Bill, Harry all could be the father but she still doesn't know who is the one. Sophie also asks for Donna's forgiveness because of what she had done to find her father without permission. Mother and daughter finally come clean to each other. Just then, three possible fathers all stand up to claim that they are more than proue and honored to have one-third of Sophie as their daughter. When everything seems perfect, Sophied suddenly decides not to get married and she wants to go traveling with Sky. Why waste such a wedding? Sam goes down on his knee and asks Donna to marry him. Donna says yes of course. It is still a happy ending with a happy wedding.I HAVE A DREAM......We hear Sophie sings the familiar song and we know our story is going to end. I have a dream, a song to singTo help me cope with anythingIf you see the wonder of a fairy taleYou can take the future even if you failI believe in angelsSomething good in everything I seeI believe in angelsWhen I know the time is right for meI'll cross the streamI have a dream, a fantasyTo help me through realityAnd my destination makes it worth the whilePushing through the darkness still another mileThe story ends here, but the story never ends there. It has been retelling from decade to decade, from mothers to daughters, from this century to next. It has been the classic. It has been the fairy tale. It is something we could hold on to and have faith in. It is the beauty and love that we dream and sing. As long as we have these two, we can always take the future even if we fail, we can always go through reality and darkness still another mile.Incidentally, the cast is irresitably charming. Meryl Streep, our one and only Dancing Queen. When you sing and dance there, you are the super trouper. Amanda Seyfried, a lucky girl, with goggled eyes and blonde hair, who represents teen girls with youth and dream. Three fathers are also the shining stars. It's unbelievable to see Pierce Brosnan and Colin Firth singing and dancing together. But they did and we bought it. All characters are fabulous. That makes the movie more fabulous.I'm nothing special, in fact I'm a bit of a borewhen I tell a joke, you've probably heard it beforeBut I have a talent, a wonderful thing'Cause everyone listens when I start to singI'm so grateful and proudAll I want is to sing it out loudSo I sayThank you for the music, the songs I'm singing

去年7月因为裂日同学搞到了3张票子，特意奔去上海看MAMA MIA的音乐剧。

当的我想必带着股戾气，每一次离开南京都好像是一次对现实的逃避。

那天下着点小雨，大剧院前铺着大片湖蓝色犹如希腊的海水一样的地毯，我、裂日、ROSA开着“三个土包子进大剧院”的玩笑，开心得好像和这个世界无关。

如果完整的话，我们应该是4个人，少了EMMA，彼时她还在北京，但很快就要去美国，一个月前我们刚刚在上海腐败过，算是提前为她送行。

我们总是爱看Sex and city，desprate housewife 一类的片子，然后觉得我们自己也好像是和她们一样的4人团体。

我们从没什么可骄傲的，除了有这几个好朋友。

作为一个乐盲的我，那一天之前根本没有听过ABBA的歌，但是这并不妨碍我觉得这部音乐剧很好看，甚至记住了其中几首歌。

SOS，Dancing queen，Mama mia。

我承认，在我看来最好听的段落不是这几个，但"you are the dancing queen, young and sweet, only seventeen"的确感动到我了。

在这个需要为工作为将来为那么多事情担忧烦恼的时刻，回忆起17岁那年的初次相遇。

第一次离家千里的我们，在走进学校的那一刻，想必都有些心凉。

2000年的梆子井还没有通地铁，学校把报道的程序做的很不人性化，矿大还没有合并过来，新生都不能住校内，要穿过布满水坑和腐烂树叶的泥土路，住进招待所改建的宿舍。

于是在越来越惊愕越来越郁闷的时候，推开宿舍门，看见即将一起生活的陌生人……到现在我还能记起和每个人打招呼的情形，拘谨又茫然。

那时候自然想不到后来的种种事情，更想不到最后大家都不在一个城市，当然也不会想今天我们还能不断创造聚会的可能……17岁，我们的生活真的像一张刚刚展开的白纸，这个比喻很俗，但事实就是这样，我们有大把的时间去挥霍，太多的新鲜事物去发掘，无论做什么都不需要考虑后果。

而时间以加速度通过，毕业的时候我们还在一起回忆那些笑过哭过闹过疯过的日子。

到现在突然间8年都没有察觉的过去了，我们甚至连过去的细节都不愿意去回顾，现实的烦恼在每个人心头压着，回忆美好却无济于事，每年有几次相聚的机会都很难得，都想珍惜这短暂的时间却常常还是起争执。

第一次分开的时候，也不过是北京和上海两地，而现在却已经是上海、南京、洛杉矶，以及其它可能的地方……今年的7月，EMMA从洛杉矶回来，我们再次聚齐在上海。

为了这次聚会，四个人吵了1个月，最后才安排好这两天的时间，有4个人的没有争吵的两天。

我们打麻将、洗脚、聊天，就像从前我们看电影、谈话剧，拍照片一样的自然，唯一不同的是，我们要安排好每一分钟，因为能一起做这些简单的事情，好难，好难。

去年看音乐剧之后，就知道Mama mia要拍电影，大牌云集，不过最让我感兴趣的还是Colin Firth，这个我看过的最好的MR Darcy。

无论是MR Darcy，还是MR Big或者其他什么样的男人，我想从17岁开始，或者更早，我们每个人都有过类似的完美想象，而现实就一直告诉我们这些都是不靠谱的梦想而已。

这么些年的起起伏伏，变化的那么多、那么远，看大家身边的人来人往，早已经习惯和淡然了。

好在我们还都在，每一年我们都还有相聚的期待，即使我们还是一次次的吵翻了天，一次次地发誓说再也不理对方。

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选择了梅姨来主演真是全片最明智的决定，其次就是希腊和外景和Amanda。

全片最喜欢的台词大概就是那句“It's Greek!"

这几天，都在说自己和香港的连接，而中午盘《妈妈咪呀》的时候，我又想起了香港，当深圳音乐剧票价动辄上千时，香港演艺学院两三百的价格，真香。

那时候，下了班，到皇岗口岸坐上跨境大巴，直达湾仔（好像是），就可以过一个wonderful night 。

我就是这样看了妈妈咪呀的，还记得一旁西装小哥到最后忘我地跳着唱着。

说回《妈妈咪呀》，夏日必盘，快被盘包浆的一部音乐剧，光是听ABBA 的音乐就值回票价了！

slipping throw my fingers、dancing queen、chiquitita……最喜欢的是《our last summer 》，前奏一响起，夏日气息扑鼻而来。

这是属于暑期的歌，不是成为小镇做题家的暑假，而是一个walking hand in hand laughing in the rain的假期，在孩均小镇做题家的今日，这种快乐尤为珍贵。

这是一部不会告诉你什么是正确的音乐剧，你的妈妈和上百个男人滚过床单，你有三个哎呀老父亲，你的阿姨结婚三次拿了三份遗产潇洒人间……那又如何？

哪有那么多正确与错误？

你好，热到流油的七月[破涕为笑][破涕为笑][破涕为笑][破涕为笑]

一直情迷音樂劇，由年代久遠的THE SOUND OF MUSIC到近幾年的ROMEO + JULIET，音樂劇不單是電影，還配上音樂元素令其生色不少坦白說MAMA MIA成品並非很好，區別於傳統的劇情配音樂，MAMA MIA是由ABBA的歌曲串編而成的舞臺劇再改成音樂劇電影，我相信這個顛覆的嘗試確實讓編劇絞進腦汁ABBA在那個年代可謂是引領潮流的鼻祖，樂隊本身就很有“顛覆”傳統的典範，所以這個編劇也不會讓人覺得唐突，反倒整齣電影給我的感覺都很ABBA有機會一定要去看看MAMA MIA的舞臺劇就圓滿了

看这部老片的原因是因为一首歌。

诉尽了一个倔强女人的软弱。

我一向认为求来的爱不值得。

爱，应该是互相吸引，互相靠近，在一起，去感受，去经历，去累积。

而当一方决定离开，那便是这段爱到尽头的时候了，再勉强下去只会玷污曾经的美好。

可是总有那么多的阴差阳错。

所以相爱的人们哪，好好珍惜在一起的时光，珍惜彼此，好好沟通，不要试探，不要无谓猜疑，如果爱，请好好相爱，如果不爱，也请好好说清楚互相告别，各自珍重。

上帝掷了一颗骰子，人间有人便失去了它的爱。

有幸抢先看了中文版的《妈妈咪呀！

》，然后就想找电影版来看看。

话说之前电影节有放过，然后英文版也来过上海。

如今一看，哇，大牌云集。

两大主演自不多说，竟然还有“小红帽”跟“国王”，有意思。

因为看过音乐剧，所以剧情都知道。

然后电影版基本保留了音乐剧的风貌吧，歌跟桥段都没什么大出入，最多就是场景跟顺序略有出入，喜欢。

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